05. General Store

This building was a General Store until the 1980’s. It then became an outlet for antiques and collectables until 2015.

1872 Property owned by Michael Tobin, storekeeper
1896 Building destroyed by fire
1904 Property leased to Joseph W. Wiltshire; managed by G. Pulford
1941 Property transferred to George Pulford

A store has occupied this property from as early as 1872. The original two-storey building on the site “burnt to the ground” on August 28, 1896. The current building was probably built shortly afterwards on the remains of the previous store.

Early photographs indicate that the shop was a general store, and that for more than 50 years (at least) it was run by the same family. Photographs dated 1901-1906 show the ‘Pulford Bros. General Cash Traders’ as occupants, while the trading sign in a 1951 image shows the proprietor as ‘C.G. Pulford General Cash Trader’.

Some sources suggest that poet C.J. Dennis may have lived in this dwelling for a short time in his youth, with his grandfather M. Tobin.[1]

By the 1990s it was operating as an antiques shop. In 1991 the shop was fitted out and used during the shooting of the 1993 film ‘Hammers over the anvil’ starring Charlotte Rampling and Russell Crowe, and directed by Ann Turner.[2]


Notes

  1. Mintaro State Heritage Area. Dwellings, stores, workshops and offices. State Heritage Places entered in the South Australian Heritage Register. Department for Environment and Heritage, 2006.
  2. IMDb, Hammers over the anvil (1993), https://www.imdb.com/title/tt0101996/, accessed 1/9/2024.

 

State Heritage Place, SAHR 11647, confirmed 5 April 1984.

Fire at Mintaro
The Advertiser (Adelaide, SA : 1889 – 1931), Tue 1 Sep 1896, Page 7.

Mintaro
Kapunda Herald (SA : 1878 – 1951), Fri 3 Jun 1904, Page 7.

Mintaro, August 11.
Northern Argus (Clare, SA : 1869 – 1954), Fri 21 Aug 1914, Page 4.

Obituary, The Late G. J. Pulford, of Mintaro.
Blyth Agriculturist (SA : 1908 – 1954), Wed 17 Dec 1952, Page 4.

Good Country: Mintaro, land of the ‘Thin Pharaoh’
The Adelaide review, 14 December 2018 [online]